3/24/2023 0 Comments Crank yankers puppets![]() And I was like, "Wow, Kanye's calling me!" to my wife. Kimmel: Months after the show was over, I was walking down the street on my way to a dinner and I get a phone call, and it's Kanye. It's probably better living as it is, as this urban legend. But I think this is one of those things where it just wasn't meant to be. Konee Rok: So, yeah, all right, maybe the show wasn't great. It was sort of a cool thing because everyone was all of sudden like, "Why the fuck didn't they make this show?" ![]() Kellison: Konee Rok built that behind-the-scenes documentary-what was great about that was that it made the show look better than it was. And with the people involved, I really do think it could have been a very cool show. Peele: It came at this very key moment in my career, when MadTV had ended and I had just started to think about what was next for me after sketch comedy. What it comes down to is either some random opinions in a focus group, or it's just one or two network executives who are like, "Meh, let's do a different show." Everybody puts in all this time and effort and money, and then it comes down to one guy's whim in the eight minutes he watches your pilot. Yerrid: It's a really hard thing to sell a show. I told him it would be really horrible if they did that, and that's exactly what they ended up doing. And I like Comedy Central, I've done 10 shows with them-the people that asked us to do that aren't there anymore-but it was fucking low. I brought Kanye and Sarah Silverman together to that party, and then the next day they told us they weren't picking it up. Kanye knew what they were doing too, but he wanted to have the show get picked up. Kellison: Comedy Central had a party, and they said, "Hey, can you bring Kanye to this party?" It was so fucking transparent to me what the motive was there. It could have been another dirty puppet show-instead, it's become a legend. It's in the no-brainer realm." Now it exists in limbo: 22 minutes of weird comedy that no one will ever see. Kimmel, who admits the episode was flawed, was still surprised it didn't get picked up: "It's easy to wrap your head around, that's for sure. No pilot is guaranteed to get the go-ahead from a network, but the star power and premise of Alligator Boots made it seem like a sure thing. "Why the Fuck Didn't They Make This Show?" ![]() In 2005, two shorts from SAST were animated for inclusion as bonus material for the DVD-Video release of the first season of Dr. The show had a comparable format, and re-used many of the clips previously featured on SAST. In 2002, several years after SAST's conclusion, Comedy Central broadcast a similar series called Comic Remix. The puppets' heads are the size of a human's, but the bodies are disproportionately small. SAST was the first television venue for Marc Weiner's "head puppet" comedy sketches. In between clips, the hosts' banter often covered events in entertainment news. The show now took place in "the basement of Comedy Central", it was shortened to a half-hour and centered on one topic, and Marc Maron was hired as host.Īmong the show's various guest hosts were Janet Decker, Joe Bolster, Laura Kightlinger, Sue Murphy, and brothers Brian Regan and Dennis Regan. After that, the format was altered slightly. In 1990, the Comedy Channel reformatted the show and hired Jon Stewart and Patty Rosborough to present it-which they did until 1993. SAST had no presenter during its first few weeks. The network continued to order new episodes of SAST after this transition, but with some modifications. In April 1991, the Comedy Channel merged with Ha!, Viacom's competing comedy channel, to form CTV: The Comedy Network two months later, CTV rebranded as Comedy Central. (operated as a subsidiary of what was then known as Time Warner), the show was used to promote the parent corporation's programming. Because the Comedy Channel, HBO, and Cinemax were all owned by Home Box Office, Inc. SAST premiered on The Comedy Channel in November 1989 it was one of the channel's initial programs. Short Attention Span Theater (often abbreviated to SAST) is an American clip show in which the hosts presented short segments of stand-up comedy acts and scenes from films airing on HBO and Cinemax. American TV series or program Short Attention Span Theater
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