3/22/2023 0 Comments Christophe dupin“Before Film Studies: The BFI and Film Education, 1933-1966”, Concordia University, Montreal, 19 October 2007. “Channel Crossing: Free Cinema and the Nouvelle Vague, 1956-1963”, Celebrating Fifty Years of the Nouvelle Vague Conference, Kings College London/University of Southampton, Institut francais, London, 13th March 2009. “Robert Vas and Free Cinema”, Tate Modern, 5 October 2009. “Free Cinema: A Turning Point or a Footnote of British Cinema?”, Queen Mary - University of London, 20 March 2006 BFI Media Studies Conference, 6 July 2006 Exeter Phoenix cinema, 6 December 2007 University of Lund. “BFI Summer Schools, 1935-1989”, Film and Memory: Scottish Consortium for Film and Visual Studies Annual Conference, University of Stirling, 9 June 2011. “The Auteur vs the Institution: The Stormy Relationship between Lindsay Anderson and the British Film Institute, 1949-1994”, SCMS Conference, Los Angeles, 20 March 2010, and “Revisiting Lindsay Anderson” Symposium, Lund University, 15 August 2014. “Du Free Cinema à la British New Wave: retour sur un moment clé de l’histoire du cinéma britannique”, Cinémathèque française, 13 mars 2015, and 19 février 2016, Cinémathèque de Toulouse. “Cinémathèques et ciné-clubs: le cas britannique (1925-1955)”, Cinémathèque Suisse/Université de Lausanne, 8 avril 2016. ![]() Festival Il Cinema Ritrovato, Bologna, 29 June 2016. “Le Congrès 1978 de la FIAF à Brighton : un « Woodstock » des archives du film ?”, Colloque: “Patrimoine et patrimonialisation du cinema depuis les années 1960”, Ecole des chartes, Paris, 24 November 2016Įrnest Lindgren, the “Anti-Langlois”. “ Film and Reality ou la naissance du film de compilation didactique sur l’histoire du cinéma”, Journée d’Étude Internationale: Monter / Démonter l'histoire du cinéma, 1 June 2018, Institut d’histoire du temps present, Paris. “80 Years of Sharing at FIAF”, 2018 FIAF Congress, Prague, 23 April 2018. “FIAF’s Unified Film Catalogues: A Successful Example of International Cooperation Between Film Archives”, Film Restored Film Heritage Festival, Berlin, 28 October 2020. "Early Days of Short Film Production at the British Film Institute: Origins and Evolution of the BFI Experimental Film Fund (1952-1966)", Journal of Media Practice, 7:2 (2003). “The Postwar Transformation of the British Film Institute and its Impact on the Development of a National Film Culture in Britain”, Screen, 47:4 (2006). “The Origins and Early Development of the National Film Library: 1929-1936”, Journal of Media Practice, 7:3 (2007). “The BFI and Independent British Cinema in the 1970s”, in Robert Shail (ed), British Cinema of the 1970s, (BFI, 2008). "First tango in Paris: The birth of FIAF, 1936-1938", Journal of Film Preservation, Issue 88, April 2013, pp. “A la recherche du fonds perdu : les archives historiques de la FIAF”, Archives et Bibliothèques de Belgique, 2014. "FIAF: From a promising start to forced hibernation (1938-1945)", Journal of Film Preservation, Issue 99, October 2018, pp.76-89. "The FIAF Information Bulletin and the Journal of Film Preservation: a historical overview", Journal of Film Preservation, Issue 100, April 2019, pp.8-19. “Le congrès 1978 de la FIAF à Brighton : un « Woodstock » des archives du film ?”, in Christophe Gauthier (ed), Patrimoine et patrimonialisation du cinéma, Paris: Ecole des chartes, 2020. ![]() “Un outil chrono-cartographique pour l’histoire de la communauté des archives du film : la base historique des affiliés de la FIAF”, 1895, Revue d’histoire du cinéma, n☉1, été 2020, pp.153-163. Co-author of the introduction author of three of the chapters. ![]() Co-author of the introduction author of one of the chapters.Ĭo-editor with Geoffrey Nowell-Smith of the book The British Film Institute, the Government and Film Culture, (Manchester University Press, 2012 paperback re-issue: 2014). Co-editor and main writer of a forthcoming book on the history of the International Federation of Film Archives (FIAF).Ĭo-editor with Erik Hedling of the book Lindsay Anderson Revisited (Palgrave Macmillan, 2016).
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